Gorillaz: Reject False Icons |Dailymotion| 
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average Rating - 7,6 of 10 Stars 2019 271 votes Story - Focused on the life of the band and their collaborators over the 3 vital years in which they developed critically acclaimed albums, 'Humanz' and 'The Now Now', and undertook their most ambitious world tour to date Documentary.
A rundown of the visuals Murdoc: being himself, and thrusting and shaking his booty to the children 2D: Walking, but F I R M L Y Russel: Doing his hecking job Noodle: Actually having some fun. Free watch gorillaz: reject false icons video. Free watch gorillaz: reject false icons movie. Free watch gorillaz: reject false icons 1.
Free watch gorillaz: reject false icons download.This video convinced me that voice training does, in fact, work. Free Watch Gorillaz: Reject False icons for vista. 2D is. 30% upper body 70% legs. For those who want the lore. This is the first time we have seen noodle after we presumed she died. Murdoc made a robot noodle in her absence to help with the bands production. The 2 planes at the start are assumed to be the same 2 that originally killed her (The 3d noodle with the bullet in her head is robot noodle) Russell and noodle had nothing to do with the production of this song Russell tried to run from his past and the drums you hear were made by Murdoc after using old recordings of Russell drumming. After kong studios gets destroyed murdoc finds plastic beach which is the island in the video. As he originally arrives plastic beach is just a ton of landfill, so he pains it pink and builds a new hq on top of it. The boogie man is there to collect murdocs soul after murdoc doesnt repay the deal he made with the devil to make gorillaz successful. Edit: The reason Russell is so big is because he dived into the river on a shore far away and has swam all the way to plastic beach, all the chemicals and waste have increased his size The shark they are In is the same car bruce Willis chased them in and once it jumped into the water it turns into the shark sub.
Videos Learn more More Like This Drama | Romance 1 2 3 4 5 6 7 8 9 10 6 / 10 X The film revolves around a Chinese man who returns to New Zealand following the death of his wife and begins to discover that she harbored a number of secrets. Director: Xiaogang Feng Stars: Xuan Huang, Caiyu Yang, Lydia Peckham 3. 8 / 10 When her best friend goes missing at a rodeo, Heidi goes on a search across the desert, digging up secrets and encountering the violence of life on the road. Alexandra McGuinness Lucy Fry, Eiza González, Christian Camargo Music 8. 7 / 10 Live 2006 concert filmed at the Manchester Opera House. David Barnard Damon Albarn, Jennifer Berman, Booty Brown Documentary 7. 5 / 10 A documentary on the cryptic cartoon band, Gorillaz. Ceri Levy Jamie Hewlett, De La Soul Short History War 8. 5 / 10 Italy, 1943 - After being captured in North Africa, two young British prisoners of war, Ernie and Harry are set to be moved to Germany. During transit, they decide to make their daring... See full summary ? Zak Jarvis Luke Goddard, Scott Rutherford, Sam Mancuso Fantasy Horror 7. 7 / 10 Two lighthouse keepers try to maintain their sanity whilst living on a remote and mysterious New England island in the 1890s. Robert Eggers Robert Pattinson, Willem Dafoe, Valeriia Karaman 6. 2 / 10 An exciting piece of Berlin's cultural history from the time of the fall of the Berlin Wall to the vibrant present. David Dietl Sven Marquardt, Frank Künster, Smiley Baldwin Comedy 8 / 10 A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home. Taika Waititi Roman Griffin Davis, Thomasin McKenzie, Scarlett Johansson Animation 7. 6 / 10 A story of Naoufel, a young man who is in love with Gabrielle. In another part of town, a severed hand escapes from a dissection lab, determined to find its body again. Jérémy Clapin Hakim Faris, Victoire Du Bois, Patrick d'Assumçao - / 10 An intimate, wordless, before and after portrait of a desperate and lonely man who embarks on a profound journey of personal transformation to embody his true identity as a woman. Denholm Hewlett Scott Kentell Crime 6. 5 / 10 In a locked down train station, a homicide detective conducts an interview with a tormented monkey. David Lynch Jack Cruz, David Lynch, Toototabon Action Adventure 7. 3 / 10 A futuristic firefighting mecha service is created to protect the world. Hiroyuki Imaishi John Eric Bentley, Steve Blum, Johnny Yong Bosch Edit Storyline Focused on the life of the band and their collaborators over the 3 vital years in which they developed critically acclaimed albums, 'Humanz' and 'The Now Now', and undertook their most ambitious world tour to date. Plot Summary Add Synopsis Taglines: In Cinemas for One Night Only Details Release Date: 16 December 2019 (USA) See more ? Also Known As: Gorillaz: Reject False Icons Box Office Cumulative Worldwide Gross: $475, 465 See more on IMDbPro ? Company Credits Technical Specs See full technical specs ? Did You Know? Trivia The director's original edit of the film was over two hours long. See more ?.
Free watch gorillaz: reject false icons youtube. Free watch gorillaz: reject false icons without. Free watch gorillaz 3a reject false icons remix. That song that played at the end was Spitting Out the good song. Free watch gorillaz: reject false icons meaning. Free watch gorillaz 3a reject false icons karaoke.
Free watch gorillaz: reject false icons 2017. Free watch gorillaz: reject false icons 2. Thank you everyone, I'm so glad I get to see this here, it really means a lot for me and my little brother??. We use cookies to help make this website better, to improve our services and for advertising purposes. You can learn more about our use of cookies and how to change your browser settings by reading our PRIVACY AND COOKIES POLICY here. Otherwise, we’ll assume you are OK to continue.Me: I feel like I know this from somewhere. proceeds to check the song release date (2007) Me: omG COULD IT BE. Actually for everyone that says that she's saying depression, she's actually saying suppressant. I really don't understand the negativity towards this fun sendoff. A documentary can be a number of things, and some people will expect them to be a certain way. This was never meant to be some monumental film for Gorillaz, rather it is a celebration of the last two albums and their accompanying world tour. It gave me a renewed appreciation for Humanz, with a closer look at its initial production. I even listened to all of The Now Now after this, my summer 2018 soundtrack. Everybody that worked on these projects and performed together all seemed to be like a big family. The talented people that made these albums possible are featured. Damon and Jamie were really funny, too. You get to see some interesting behind the scenes action at the making of the music, and even for Jamie's sketches that would become official artwork for the band. While the title Reject False Icons does not really relate to the mantra/idea from Demon Days, the festival in LA looked amazing. I guess that some expected much more from the Gorillaz brand in a weird way. Denholm's Director's Cut was uploaded onto YouTube in three parts, which was a nice gift at the end of the year for the niche fan base. A part of his style was to have most of the film in black and white, with the concerts being in color to show off the light show of the stages and energy of the performers. While not groundbreaking in any way, this will appeal much more to Gorillaz fans such as myself.
I can't get it. Its not compatible with my device and I'm crying my eyes out and won't stop. Please fix it. Is that a blowup doll in the lower left corner at 0:08.
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Free Watch Gorillaz: Reject False. Free Watch Gorillaz: Reject False icone décorative. Gorillaz have announced details of a new documentary called Reject False Icons ? watch its trailer below. The film, which focuses on life in the studio with the band and their collaborators, will come to cinemas on December 16 for one night only. Read more: The NME Big Read ? Gorillaz: The power of ‘Now Now’ Reject False Icons is directed by?Denholm Hewlett, the son of Gorillaz’ Jamie, who, as a synopsis of the film details,?“followed the band’s every move for three years, covering the making of two critically acclaimed albums, ‘ Humanz ’ and ‘ The Now Now ’, as well as the band’s most ambitious world tour to date encompassing dates across Europe, North America, South America and Mexico, bookended by its own Demon Dayz Festivals in the UK and US. ” The film promises to be “the first ever all-access immersive journey into the world of Gorillaz and its extended family. ” Watch the trailer below. Tickets for screenings of Reject False Icons will go on sale next week (November 27), with details to come on specific cinemas that will be screening the film. You can sign up for details on the film’s website. Gorillaz released their sixth album ‘The Now Now’ last year, only 12 months after the release of fifth LP ‘Humanz’. An NME review of the latter album called it “a trim and spritely listen”. The NME Big Read with Damon Albarn: “There’s something sinister about Boris Johnson” While it was rumoured that Gorillaz may not tour again for another 10 years, frontman Damon Albarn?recently announced details of new project ‘The Nearer the Fountain, More Pure the Stream Flows ’, which he’ll be taking on tour in May 2020.
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Gorillaz remain a point of inspiration in British music. A truly multi-media, cross platform endeavour, the project's 2018 album 'The Now Now' saw them work alongside a host of guests under the supervision of producer James Ford. Released to ecstatic acclaim, it saw Gorillaz link with everyone from rap force Little Simz to George Benson, as well as mending bridges with Noel Gallagher. New film Gorillaz: Reject False Icons documents aspects of the creative process, with director Denholm Hewlett gaining unheard of access. Moving between animated and physical realms, it features Gorillaz founders Damon Albarn and Jamie Hewlett at work in the studio, alongside a roll call that features a few of their lauded guests. A space where the virtual meets the real, Gorillaz: Reject False Icons is out tonight - December 16th - as part of a global screening event. Clash writer Milo Wasserman caught an up-front glimpse of the film - here's what he gleaned from it... - - - 1. Gorillaz are one big, big family As Damon Albarn attests, over 100 actors, musicians and artists have been involved in the Gorillaz’ musical output across 'Humanz' and 'The Now Now' as well as the world tour this film chronicles. Aussie actor Ben Mendelsohn makes a few appearances, mainly cracking a few gags and doing some surreal voice work. Kali Uchis, Mavis Staples, Danny Brown, Vince Staples, Jenny Beth and many, many others come and go. Gorillaz have a pull that not many artists could command - everyone wants in. More importantly, for those involved there are positive vibes everywhere. Their togetherness is clear as they all join, arms interlocked, in a circle of positivity before every show. 2. Damon Albarn is as infectiously enthusiastic, charismatic and charming as ever The gold tooth, the goofy smile, the energy. It’s all there, and it’s easy to see how Albarn carries his merry circus. Even when they only had five weeks to record 'The Now Now' in the middle of a world tour, we never saw any sign of personality clashes, issues in the relationship between sound and image, or tour induced exhaustion. The man is a force of nature. 3. Peven Everett is electric, on and off the stage Out of all the talented artists involved in the film, one stands out: Peven Everett. Getting to know Chicago Royalty Everett throughout the movie, he comes across as eminently likeable, infectiously enthusiastic and, obviously, enviably talented. He is certainly an able to deputy to the late Bobbie Womack. Everett is the sort of guy you would work with in a heartbeat. And introduce to your mum. 4. Jamie Hewlett's artwork is stunning, but there could be more on show… Okay, so we all knew this. For over 20 years we’ve salivated over Hewlett Sr. ’s work in bringing to life the original four Gorillaz concept characters. And having waited so many years for a film (this is the second after Ceri Levy’s 2008 piece Bananaz), we were hoping to get more of a behind-the-scenes look at Jamie Hewlett’s creative process. However, Reject False Icons prioritises studio footage over a deeper look at how the visuals are created. Maybe Hewlett Jr. wanted to make sure Dad didn’t become the star of the show. 5. Denholm Hewlett is still raw This was a big opportunity for Denholm Hewlett to make an early name for himself. Given how instantly recognisable and distinct Gorillaz artwork is, there was always going to be pressure on Denholm as a film maker to firmly step out of his father’s shadow. After all, no one wants to be known as Someone Else’s Kid. In the end, the story lacked cohesion. It is hard to gain a real insight into the inner workings of Gorillaz when the film is largely a series of vignettes of Albarn and his merry crew larking around in the studio. In short, the final cut feels more like a sentimental, unprovocative journey than a revealing glimpse into what makes the band tick. Are Murdoc, 2-D, Noodle and Russel are being fazed out...? One noticeable absence from the film was the, rightly iconic, original conceptual band members. Evolution is inevitable, and after 20 years Murdoc, 2-D, Noodle and Russel are gradually being overwhelmed. To say they are being marginalised feels crude, although maybe we’re just feeling a touch nostalgic. We’re not suggesting all good things come to an end, maybe they just evolve. Gorillaz: Reject False Icons hits cinemas tonight (December 16th) around the globe - find tickets HERE. Join us on the ad-free creative social network Vero, as we get under the skin of global cultural happenings. Follow Clash Magazine as we skip merrily between clubs, concerts, interviews and photo shoots. Get backstage sneak peeks, exclusive content and access to Clash Live events and a true view into our world as the fun and games unfold.
Nobody can say Murdoc isn't a talented pisser, for what it's worth.
Free watch gorillaz: reject false icons list. Free watch gorillaz: reject false icons iphone. 0:32 MY JAW DROPPED, THIS BEAT. THE ART THIS IS INCREDIBLE WHY AM I ONLY NOW FINDING THIS NOW I CAN START LIVING. Free watch gorillaz 3a reject false icons tiktok. Free watch gorillaz 3a reject false icons new. 1 19 2020 Los angeles california. Estados unidos. 00:32 lol 2D looks so pure, all like look, kids, a keyboard! Isn't that cool. Free watch gorillaz 3a reject false icons lyrics. Free Watch Gorillaz: Reject False icons. ¿Alguien en este octubre del 2019 escuchandola? 3. A first look at the cartoon band's new feature length excursion. Gorillaz fans have been waiting years for an animated movie based around the antics of the world's longest-running cartoon band; it's been long mooted since the 2000s, with Terry Gilliam's name coming up at one point. Maybe a few were expecting something like that when?announced that Reject False Icons would be screening for one night only in select cinemas, giving?the whole thing an air of mystique. Reject, as we'll stick to calling it, is not that film.?Even calling it?a?standard music doc somewhat falls short as a description, not because?the movie's some sort of?mixed-media hybrid - how cool would that have been? - but because most documentaries have?an essential narrative underpinning them, or private moments?where you really get to know the humanz being presented to you on camera. Reject has none of that, unless you count it as the basic story of Band goes on tour, Finishes tour, The End. That's what you get here, and if you expect nothing more, then Reject False Icons should be a pleasing experience for most Gorillaz fans. You get blasts of the live show, some studio jamming, a bit of banter here and there. What you don't see much of is 2-D, Murdoc, Noodle, Russel?and temporary Gorilla/Powerpuff Girl alumni Ace; in other words, the Gorillaz themselves. That shouldn't come as a surprise to anyone who's followed the project's trajectory from?its cartoon inception in 2000 to the Damon Albarn side-project that the band essentially is today. Reject basically cements the Gorillaz as it stands in the 2020s, with no?behind-the-scenes peeks?of their music videos, no focus on the stage visuals behind Albarn and company, and barely any moments with the artist behind it all, Jamie Hewlett (even though his son, Denholm, is the one shooting everything we see. ) The band's one other feature length excursion from 2008, Ceri Levy's Bananaz, did a much better job at showing the unit as a duo, being half about the music, and half about the art. It also did a good job in showing?dialogue?and situations from start to finish, something Reject just doesn't seem interested in doing. Conversations are either joined midway, or?mixed with dodgy audio. A parade of guest singers are presented to us, sterling talent like Kelela and Lil Simz, but who have little to say or?- more accurately?- no chance to say it. None of these alternative stars?really comment on what the band means to them, nor how they crossed paths, or where the inspiration for lyrics and performances may have come from. We don't get a feel for what's changed since Bananaz was released, or what the band stands for any more. We don't even get to know what's next for the group. The?most silent figure in all this is Jamie Hewlett himself. The Gorillaz character designer and visual guru doesn't really get a look in until?almost 80?minutes in; when he does appear on screen, he does some cool sketches, talks a bit about the eraser on the end of his pencil - and that's it. Imagine if we'd instead heard him talk about adapting his art as tech evolved in the 2010s, how he feels about his position in the act, what he thinks about the act's music and talent involved. We see him doodle?among overheard mentions of what the characters are up to now - Murdoc in jail,?Ace joining the band - but with?little idea who's behind these ideas, or what fun these?narratives?open up to the?creators. Damn, there could have been a whole segment based around why they decided to add a freakin' Powerpuff Girl character to the group, and the logistics in making that?a reality. Should you reject Reject False Icons, then??If you love all things animation, character design and pop culture, then yes. If you're into noodly keyboard jams, snippets of stage shows and Damon Albarn's?contented face, then no. Gorilalz: Reject False Icons premieres for one night only this December 16th, 2019. Book tickets here. Read next: Artists celebrate 20 years of The Powerpuff Girls Note: We may earn a commission when you buy through links on our site, at no extra cost to you. This doesn't affect our editorial independence. Learn more.
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Gorillaz remain a point of inspiration in British music. A truly multi-media, cross platform endeavour, the project's 2018 album 'The Now Now' saw them work alongside a host of guests under the supervision of producer James Ford. Released to ecstatic acclaim, it saw Gorillaz link with everyone from rap force Little Simz to George Benson, as well as mending bridges with Noel Gallagher. New film Gorillaz: Reject False Icons documents aspects of the creative process, with director Denholm Hewlett gaining unheard of access. Moving between animated and physical realms, it features Gorillaz founders Damon Albarn and Jamie Hewlett at work in the studio, alongside a roll call that features a few of their lauded guests. A space where the virtual meets the real, Gorillaz: Reject False Icons is out tonight - December 16th - as part of a global screening event. Clash writer Milo Wasserman caught an up-front glimpse of the film - here's what he gleaned from it... - - - 1. Gorillaz are one big, big family As Damon Albarn attests, over 100 actors, musicians and artists have been involved in the Gorillaz’ musical output across 'Humanz' and 'The Now Now' as well as the world tour this film chronicles. Aussie actor Ben Mendelsohn makes a few appearances, mainly cracking a few gags and doing some surreal voice work. Kali Uchis, Mavis Staples, Danny Brown, Vince Staples, Jenny Beth and many, many others come and go. Gorillaz have a pull that not many artists could command - everyone wants in. More importantly, for those involved there are positive vibes everywhere. Their togetherness is clear as they all join, arms interlocked, in a circle of positivity before every show. 2. Damon Albarn is as infectiously enthusiastic, charismatic and charming as ever The gold tooth, the goofy smile, the energy. It’s all there, and it’s easy to see how Albarn carries his merry circus. Even when they only had five weeks to record 'The Now Now' in the middle of a world tour, we never saw any sign of personality clashes, issues in the relationship between sound and image, or tour induced exhaustion. The man is a force of nature. 3. Peven Everett is electric, on and off the stage Out of all the talented artists involved in the film, one stands out: Peven Everett. Getting to know Chicago Royalty Everett throughout the movie, he comes across as eminently likeable, infectiously enthusiastic and, obviously, enviably talented. He is certainly an able to deputy to the late Bobbie Womack. Everett is the sort of guy you would work with in a heartbeat. And introduce to your mum. 4. Jamie Hewlett's artwork is stunning, but there could be more on show… Okay, so we all knew this. For over 20 years we’ve salivated over Hewlett Sr. ’s work in bringing to life the original four Gorillaz concept characters. And having waited so many years for a film (this is the second after Ceri Levy’s 2008 piece Bananaz), we were hoping to get more of a behind-the-scenes look at Jamie Hewlett’s creative process. However, Reject False Icons prioritises studio footage over a deeper look at how the visuals are created. Maybe Hewlett Jr. wanted to make sure Dad didn’t become the star of the show. 5. Denholm Hewlett is still raw This was a big opportunity for Denholm Hewlett to make an early name for himself. Given how instantly recognisable and distinct Gorillaz artwork is, there was always going to be pressure on Denholm as a film maker to firmly step out of his father’s shadow. After all, no one wants to be known as Someone Else’s Kid. In the end, the story lacked cohesion. It is hard to gain a real insight into the inner workings of Gorillaz when the film is largely a series of vignettes of Albarn and his merry crew larking around in the studio. In short, the final cut feels more like a sentimental, unprovocative journey than a revealing glimpse into what makes the band tick. Are Murdoc, 2-D, Noodle and Russel are being fazed out...? One noticeable absence from the film was the, rightly iconic, original conceptual band members. Evolution is inevitable, and after 20 years Murdoc, 2-D, Noodle and Russel are gradually being overwhelmed. To say they are being marginalised feels crude, although maybe we’re just feeling a touch nostalgic. We’re not suggesting all good things come to an end, maybe they just evolve. Gorillaz: Reject False Icons hits cinemas tonight (December 16th) around the globe - find tickets HERE. Join us on the ad-free creative social network Vero, as we get under the skin of global cultural happenings. Follow Clash Magazine as we skip merrily between clubs, concerts, interviews and photo shoots. Get backstage sneak peeks, exclusive content and access to Clash Live events and a true view into our world as the fun and games unfold.Nobody can say Murdoc isn't a talented pisser, for what it's worth.
Free watch gorillaz: reject false icons list. Free watch gorillaz: reject false icons iphone. 0:32 MY JAW DROPPED, THIS BEAT. THE ART THIS IS INCREDIBLE WHY AM I ONLY NOW FINDING THIS NOW I CAN START LIVING. Free watch gorillaz 3a reject false icons tiktok. Free watch gorillaz 3a reject false icons new. 1 19 2020 Los angeles california. Estados unidos. 00:32 lol 2D looks so pure, all like look, kids, a keyboard! Isn't that cool. Free watch gorillaz 3a reject false icons lyrics. Free Watch Gorillaz: Reject False icons. ¿Alguien en este octubre del 2019 escuchandola? 3. A first look at the cartoon band's new feature length excursion. Gorillaz fans have been waiting years for an animated movie based around the antics of the world's longest-running cartoon band; it's been long mooted since the 2000s, with Terry Gilliam's name coming up at one point. Maybe a few were expecting something like that when?announced that Reject False Icons would be screening for one night only in select cinemas, giving?the whole thing an air of mystique. Reject, as we'll stick to calling it, is not that film.?Even calling it?a?standard music doc somewhat falls short as a description, not because?the movie's some sort of?mixed-media hybrid - how cool would that have been? - but because most documentaries have?an essential narrative underpinning them, or private moments?where you really get to know the humanz being presented to you on camera. Reject has none of that, unless you count it as the basic story of Band goes on tour, Finishes tour, The End. That's what you get here, and if you expect nothing more, then Reject False Icons should be a pleasing experience for most Gorillaz fans. You get blasts of the live show, some studio jamming, a bit of banter here and there. What you don't see much of is 2-D, Murdoc, Noodle, Russel?and temporary Gorilla/Powerpuff Girl alumni Ace; in other words, the Gorillaz themselves. That shouldn't come as a surprise to anyone who's followed the project's trajectory from?its cartoon inception in 2000 to the Damon Albarn side-project that the band essentially is today. Reject basically cements the Gorillaz as it stands in the 2020s, with no?behind-the-scenes peeks?of their music videos, no focus on the stage visuals behind Albarn and company, and barely any moments with the artist behind it all, Jamie Hewlett (even though his son, Denholm, is the one shooting everything we see. ) The band's one other feature length excursion from 2008, Ceri Levy's Bananaz, did a much better job at showing the unit as a duo, being half about the music, and half about the art. It also did a good job in showing?dialogue?and situations from start to finish, something Reject just doesn't seem interested in doing. Conversations are either joined midway, or?mixed with dodgy audio. A parade of guest singers are presented to us, sterling talent like Kelela and Lil Simz, but who have little to say or?- more accurately?- no chance to say it. None of these alternative stars?really comment on what the band means to them, nor how they crossed paths, or where the inspiration for lyrics and performances may have come from. We don't get a feel for what's changed since Bananaz was released, or what the band stands for any more. We don't even get to know what's next for the group. The?most silent figure in all this is Jamie Hewlett himself. The Gorillaz character designer and visual guru doesn't really get a look in until?almost 80?minutes in; when he does appear on screen, he does some cool sketches, talks a bit about the eraser on the end of his pencil - and that's it. Imagine if we'd instead heard him talk about adapting his art as tech evolved in the 2010s, how he feels about his position in the act, what he thinks about the act's music and talent involved. We see him doodle?among overheard mentions of what the characters are up to now - Murdoc in jail,?Ace joining the band - but with?little idea who's behind these ideas, or what fun these?narratives?open up to the?creators. Damn, there could have been a whole segment based around why they decided to add a freakin' Powerpuff Girl character to the group, and the logistics in making that?a reality. Should you reject Reject False Icons, then??If you love all things animation, character design and pop culture, then yes. If you're into noodly keyboard jams, snippets of stage shows and Damon Albarn's?contented face, then no. Gorilalz: Reject False Icons premieres for one night only this December 16th, 2019. Book tickets here. Read next: Artists celebrate 20 years of The Powerpuff Girls Note: We may earn a commission when you buy through links on our site, at no extra cost to you. This doesn't affect our editorial independence. Learn more.
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